Splice Sessions 3 step Essentials WAV-TECHNiA

Splice Sessions 3 Step Essentials 由南非制作人 TAU (BW) 打造，是一套围绕 3-step 律动核心构建的节奏素材库。TAU 的音乐根源来自 Kwaito 与 Tribal House，他将家乡的非洲节奏与现代 House 融合，在 Get Physical、Moblak Records、Mahaba Records 等厂牌发行作品。本包延续这种文化融合精神，围绕“张力与释放”的结构设计，适合逐层堆叠、推进，再在高潮处释放能量的编曲方式。

3-step 源自南非 2020 年封锁时期，由 Thakzin 推动发展，以三连踢框架为核心，融合 Amapiano 的轻盈低频与 log drum、Afro Tech 的律动结构、Highlife 的爵士铜管元素，以及 broken beat 风格的灵巧打击。该素材包涵盖 3-step 标志性的鼓循环、手拍节奏、shaker 细节与氛围元素，帮助制作人快速构建具有非洲律动特色、兼具全球电子音乐前沿感的舞池作品。

Splice Sessions 3 step Essentials WAV-TECHNiA

TECHNiA | 08 January 2026 | 640.8 MB

Produced by TAU (BW), this sample pack has all the 3-step essentials to build, build, build, then let it all go. Growing up to the sounds of Kwaito and Tribal House, TAU’s love for house music and African rhythms came from his earliest exposure to the local music played in his home village. Since 2020, he has released several singles and EPs on labels like Get Physical Music, Afro House label Moblak Records, and Mahaba Records, a subsidiary of Defected Records. His song, “People of Shaam” sat at the top of Traxsource charts for six weeks. His EP, “Abafazi”, made in collaboration with Thandi Draai and DA Africa Deep, is a tribute to women’s struggle in Apartheid South Africa. He’s also known for his official remixes of iconic songs like the hit “Vuli Ndlela” by the late Brenda Fassie, and the legendary Mango Groove’s record Home Talk.

Pioneered by Thakzin, an artist born in the Ivory Park township, 3-step is a dance music movement that emerged during the 2020 lockdowns in South Africa, and has since swept the global electronic music landscape. Experimenting with Amapiano, Afro House, Afrobeats, Highlife, and more, Thakzin did away with any preconception of what production should sound like and rebuilt his signature sound with a new, singular focus: to create tension and release. Named for its three-kick-drum framework, 3-step is characterized by the jazzy horns of Highlife; Amapiano’s weightless bass, log drums, ad-libs, and shakers; the kick grooves of Afro Tech; and, crucially, marching handclaps and light-footed percussion, harking back to the playfulness of London’s broken beat (AKA bruk) era.